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cherrycollaborative: Peas & Carrots International Ben-Day...

By :Anwar Washington 0 comments
cherrycollaborative: Peas & Carrots International Ben-Day...


cherrycollaborative:

Peas & Carrots International Ben-Day dots print.

The Ben-Day dots printing process, named after illustrator and printer Benjamin Henry Day, Jr., is a technique dating from 1879. Depending on the effect, color and optical illusion needed, small colored dots are closely spaced, widely spaced or overlapping. 

Ben-Day dots differ from halftone dots in that the Ben-Day dots are always of equal size and distribution in a specific area. To apply the dots to a drawing the artist would purchase transparent overlay sheets from a stationery supplier. The sheets were available in a wide variety of dot size and distribution, which gave the artist a range of tones to use in the work. The overlay material was cut in the shapes of the tonal areas desired—i.e. shadow or background or surface treatment and rubbed onto the specific areas of the drawing with a burnisher. When photographic reproduced as a line cut for letterpress printing, the areas of Ben-Day overlay provided tonal shading to the printing plate.

The use of Ben-Day dots was a hallmark of American artist Roy Litchenstein who enlarged and exaggerated them in many of his paintings and sculptures. Other illustrators and graphic designers have used enlarged Ben-Day dots in print media for a similar effect.

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